A Girl Named Leney

THE JOURNAL

Ten Years

i visited one of my favorite places last weekend the Virginia Museum of Fine Arts.
this place has been witness to so many moments in my life.
both with others and alone.
it's a place that feels like home to me.
(feel free to search the VMFA in the search box at the bottom of the site to see some of my other visits there from over the years)

i specifically went to see the new exhibit of Jasper Johns and Edvard Munch's work and was surprised by how much i loved it and was inspired by their artistry. 
previously only familiar with Munch's The Scream, i was truly enrapt with the diversity and beauty of both of these artist's work.

i read a plaque on one piece (often the words on the plaque beside a piece of art end up meaning more to me than the work itself. i'll frequently snap photos of them or write them down in a notebook. words immerse me.) that stated that Jasper Johns worked on his cross hatching technique for ten years.
ten years.
that's about a third of my lifetime.
i've heard it said that to truly have mastered the art of something and to do it well is to have stuck with it for a decade. 
an idea, in this have-it-right-now society of ours, that's so foreign.
we are used to instant gratification.
what is it to work at and stick with something consistently for ten years?
perhaps that strikes you as discouraging, but i find it the opposite. 
because it's a reminder that success, in all of it's various forms, is not instant. that the achievements truly worth having in life are worth working hard for. as, once obtained, they will taste all the sweeter for we truly know what it was to earn them with our blood, sweat and tears.

my business is reaching it's sixth birthday this spring, and while it's changed and varied in it's execution, i'm proud to say that i've stayed true to who i am as an artist and how that's translated in different ways over the years. it feels good to look back at something and, while the look of it doesn't appeal to me now, or my tastes have changed since, i'm still proud of it. because i know at the time of it's execution, that was who i was, and i embraced that and lived it out fully and gave it my all.

so here's to the next four years, to reach that ten year mark.
i hope i look back when i get there and am able to still be proud of what i've created and what i've worked for. 

p.s. another realization and thought brought about by the exhibit was on the resiliency that joy brings amidst despair, which can be read here.
p.p.s. this exhibition prompted me to get back into painting more than ever (something i shared a few weeks ago)! you can see a photo of that here.